ADIEL TEMER

Feedback Music Festival

An experimental branding project for a rock festival that explores the morphology of sound, transforming sonic noise and distortion into a bold, multi-lingual typographic form.

B_Less

B_Less is a slow-living brand born from the philosophy of conscious consumption. It advocates for using the precise, minimal amount needed for health and well-being, proving that when it comes to quality of life, less is truly enough.

Habama Be’Habima

A digital interface translating civic emotions into structured visual statements, reimagining public space without altering its physical form.

The Studio — Avigail Reiner

During my internship at The Studio, under the guidance of Avigail Reiner, I was involved in the design of the studio’s official website. We worked to translate the studio’s rich heritage in print and book design into a functional digital landscape, creating a site that allows the work to take center stage.

Identity: Original vs. Copy

This project explores the friction between personal identity and bureaucratic systems. By distorting official forms into “corrupted copies” and integrating Bartleby the Scrivener’s mantra of refusal, the work visualizes the resistance against being reduced to a number. A complementary digital interface attempts to map the self through data, ultimately proving that true identity is far too complex to be quantified.

The Film Index

This typographic guide serves as a comprehensive archive of analog film stocks, categorizing them by technical parameters such as grain, format, and manufacturer. Featuring curated works by talented Israeli photographers, the guide’s layout draws inspiration from darkroom documentation and technical markings, turning raw data into a visual exploration of analog culture.

5×5 | 10×10 | 15×15

An experimental exploration into the morphological boundaries of Hebrew letterforms, mapping the structural evolution between modular grid constraints and optical resolution.